Shits which came out this year and has shown NO MERCY

First I thought of making a list of best albums of 2012 so far. There is hell lotta shits came out in this year, some of which stuck in my mind for weeks. But then I came to realize that I am quite reluctant in making lists. So I decided, I will post those 2012 albums which I have been listening recently. Because I don’t wanna get killed by someone whose favorite album is not in the list. To make things clear, this is not any kinda “top albums so far” or something. This list may turn out to be a little different if you ask me tomorrow. 😛

And yea, this is not in any particular order. I made this list pretty quickly, wrote whichever album came first in my mind. So, here we go. Holy fuck! That “so” rhymed with “go”. I am a fucking poet. 😀

Okay, sorry for that 😛 . Here,

1.  IHSAHN – EREMITA – [Progressive Metal]

Former Emperor frontman, Ihsahn, a genius musician, crafted his solo album titled “Eremita”. Groovy riffs, Emperor-era blasts with keyboards, Jorgen Munkeby’s saxophone adding layer of brilliance and beautiful chorus melodies. This is scary, heavy, beautiful and ugly, making this weird shit worth listening.


Stillborn messengers is a french Hardcore, Metalcore, Djent metal act. They released their first EP this year. Sightless has astonishing guitar riffs, heavy drums, amazing and intense vocals, heavy, brutal and beautiful at the same time.

3. MESHUGGAH – KOLOSS – [Progressive/Tech Metal]

Here, GO! -> Meshuggah – The Metallica of Present Time.

4.  AHAB – THE GIANT – [Nautical Doom Metal]

Ahab is a nautical doom metal band from Germany.  It is difficult to find a band as dark, as slow, as strong, as brutal and as ridiculously heavy as Ahab.  If the link is not dead yet, listen full album here.


Apart from other albums, this one’s no metal. Here GO! – > I Don’t Wanna Go Heaven, coz I Am Graced Already – THE TALLEST MAN ON EARTH


Testament! Enough said.

7.  GOJIRA – L’ENFANT  SAUVAGE – [Technical Death/Thrash/Groove/Progressive Metal]

Here, GO! -> Any GOJIRA album is a good GOJIRA album

8. PERIPHERY – PERIPHERY II – THIS TIME IT’S PERSONAL –  [Progressive/Groove/Djent Metal]

American Metal band Periphery, popular with their Djent sound, released their second album last month. Periphery II is a lot heavier and catchier than their first release. Many would say “vocalist sounds gay”, “their sound’s no heavy” and blah blah blah.! But, I love Periphery  and I love Periphery and I love Periphery and I think you’ll like them too.


                 SWANS – THE SEER           KATATONIA – DEAD END KINGS        SYLOSIS – MONOLITH

Meshuggah – The Metallica of Present Time

When knowledgeable people begin to talk about progressive/tech-metal, Meshuggah is always one of the first bands to be spoken of. Meshuggah unequivocally needs no introduction. Spanning their 22 year career, inventors of “djent”, inspiration of almost every djent metal band out there, this Swedish band is doing something more diverse, making all these wannabe Meshuggah bands obsolete.

Djent (silly word for “sounds like Meshuggah”) is one of the most dominant sounds in metal today (at least for me :P), and it’s a sound Meshuggah pretty much created. After releasing ObZen in 2008, they have been quite low whistle. Now they have returned to their rightful throne with 10 new tracks in their latest studio album titled “Koloss”, blended with poly-metric jazz fusion and death metal aggression. If you love djent sound and if your veins were animated when you listened to “ObZen”, it is so impossible NOT to listen Koloss.

A little more than a month ago Meshuggah were happy enough to release the tracks “Break Those Bones Whose Sinews Gave It Motion” and “Don’t Look Down” to the world as a sneak peek preview of what Koloss is gonna be like. These two tracks with nerve thrashing riffs and with Tomas Haake’s lyrics over it is the perfect combination for the fans and enough to build fury and hunger for the full length album release. The album opens with “I am Colossus”, sheer anxiety, exhausted, but unstoppable. “The Demon’s Name Is Surveillance” and “The Hurt That Finds You First” are the fast ones, absolutely vicious. And then come the gems of Koloss – “Marrow” and “Demiurge”. When I heard them, I was like, yeah this is it. This is Messuggah. This is some serious shit. This is heaven. This is kick-my-ass-every-damn-time-I-hear-them. 😀

I don’t know if Koloss is the “best” album Meshuggah has ever made, but it’s by far the damn craziest, and is surely an early contender for the best album of 2012. A kid today, hear the songs “Morrow” or “Demiurge” or “Do Not Look Down” or “Break Those Bones Whose Sinews Gave It Motion” and might think, “ohh, this sounds like ..[a djenty band].,” but someday day he will realise this is a trillion times better, especially after they’ve had the album stuck in their head for weeks.

Koloss” was one of my most anticipated albums of 2012, and after digging through every nook and cranny I could find, I was absolutely justified in feeling that way. In short, Koloss is everything it needs to be — a treat for fans like me and a bible for the bands just getting into the genre. Okay now enough said, Meshuggah lovers will seek out for Koloss, and to those who don’t, the “Koloss” will come seeking..